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thecriticalreader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
Graphic: Gore, Violence, Blood, Murder, and War
Moderate: Alcoholism, Animal death, Child abuse, Misogyny, Xenophobia, Vomit, Religious bigotry, Alcohol, and Injury/Injury detail
Minor: Child death, Pedophilia, Rape, Sexual content, Excrement, Fire/Fire injury, Colonisation, and Classism
blacksphinx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Graphic: Death, Gore, Violence, Blood, Excrement, Religious bigotry, Murder, Fire/Fire injury, and War
Moderate: Confinement, Fatphobia, Torture, Xenophobia, Vomit, Kidnapping, Grief, and Colonisation
Minor: Child death, Sexual assault, and Sexual violence
bookishwondergoth's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
I don’t think—outside of Skulduggery Pleasant—I’ve ever read a fantasy crime book before, but that’s basically what this book is. There’s so much weighing of the law vs justice vs morality amongst these pages, that it’s easy to see where comparisons to Andrzej Sapkowski’s ‘The Witcher’ come from. The rumination on these different factors made for such thought-provoking reading, and I was totally invested in the outcome of each case.
Richard Swan is a wonderful storyteller with a keen grasp of character. Subtext is key, and it’s what’s unsaid as much as it is what’s said. Helena is a highly fallible narrator, writing as an older woman looking back on her young petulant self. I found her fraught, jealous, hormonally-charged father/daughter relationship with Vonvalt relatable and endearing, and Richard Swan falls into none of the traps male fantasy authors are prone to falling into when writing about hormonal young women. I thought he did a really good job. Vonvalt also is a compelling and charismatic protagonist (for truly, it is his story Helena is telling), and I definitely grew attached to this dysfunctional little family in ways that will no doubt hurt me in future books to come.
The framing narrative of the crumbling Sovan Empire was, in my opinion, far less interesting than the legal nuances of the murder mystery at its core, which is why my rating drops down to 4 stars for me. I would honestly love to read an entire book that solely consists of Vonvalt, Bressinger and Helena travelling around and episodically exacting the law. I just find it so so interesting. AND it got proper brutal in places, my God! Just… all the things I love. Like it was written specially for me, like I said.
Loved it. Thoroughly enjoyed it. Can’t wait for ‘The Tyranny of Faith’.
Graphic: Death, Violence, and Blood
Moderate: Religious bigotry and Murder
Minor: Cursing, Rape, Sexual content, Sexual violence, and Xenophobia