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Graphic: Death, Death of parent
Graphic: Child death, Death, Drug use, Gun violence, Death of parent, Murder
Graphic: Child death, Death, Grief, Murder
Moderate: Death of parent
Minor: Drug use, Blood
Graphic: Child death, Gun violence, Death of parent
Moderate: Blood
Score: Seven points out of ten.
This version of Long Way Down circled my recommendations for a while and when I saw this in a library I visited, I immediately wanted to pick it up. Soon enough, I did and then I read the Long Way Down adaptation, but not before glancing the blurb. Despite being heavy, this story was enjoyable, leaving me wondering what the original text is like.
It starts with the first character I see, Will, whose last name remains undisclosed with his brother Shawn, when someone shot him, and no one reported on it. That is all according to the rules: don't cry, don't snitch and, most prominently, get revenge. Thus begins Will's quest to get Shawn's gun and shoot the shooter but he gets on an elevator and has to wait until it reaches the ground floor. In the elevator, Will meets other people who have died in a shooting, all due to the third rule. Once someone shoots another person and they get revenge, the cycle neverendingly continues. Sometimes the poetry is part of the art, which I enjoyed observing. The pictured helped me visualise the story more, but the poetry wasn't that impressive. It was one of many examples where someone pressed the Enter key many times and called it 'poetry.' The conclusion is open, as it's unclear whether Will will get revenge or break the third rule. I hope he chooses the latter.
Graphic: Death, Gun violence, Blood, Grief, Death of parent
Graphic: Death, Gun violence, Violence, Grief, Murder
Moderate: Blood, Death of parent
Minor: Chronic illness
Graphic: Child death, Death, Drug use, Gun violence, Violence, Grief, Death of parent, Murder, Injury/Injury detail
Graphic: Child death, Death, Gun violence
Moderate: Blood, Death of parent
Minor: Drug use
Graphic: Child death, Death, Drug use, Gun violence, Violence, Grief, Death of parent, Murder, Injury/Injury detail
Starting with the art, this book was drawn and painted in a beautiful watercolor style by Danica Novgorodoff. The softness of the art was a perfect contrast to the difficult subject matter, providing a cushion for the reader. When moments became sharper the art changed to reflect that, with some parts shown in stark silhouette or drawn as black-and-white sketches. I have nothing but compliments about the art, and I'm glad they didn't choose to go with a more traditional comics-inspired style, because I believe that would have cheapened the violence.
This book also made excellent use of the visual medium to enhance Reynolds's verse. When Will describes the territories in his neighborhood, the thoughts are scattered over a map taking up an entire two-page spread. Lingering effects reach from one panel into another, and silent panels provide a moment for the reader to stop alongside the characters and reflect. Monochrome vs full color is also used to great effect, signifying what's past and present, even as the time periods blur together in the same image.
I can't speak to the faithfulness of the adaptation, because as I said I haven't read the original novel. I did peek at the preview on Amazon, and recognized much of the text. From what I can tell, my conclusion is that this adaptation is different — particularly, the addition of some dialogue to the graphic novel version — but not necessarily unfaithful. I'll leave it to others who have read both to judge for certain, though!
Graphic: Death, Gun violence, Violence, Blood, Grief, Death of parent, Murder