Reviews

Describe the Night by Rajiv Joseph

franc's review

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funny mysterious reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

5.0

Damn this nails it 

ebunk's review against another edition

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adventurous challenging dark emotional funny tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? It's complicated

5.0

My favorite play of all time

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shroudofthesea's review

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5.0

an absolute delight to read, but i couldn't recommend seeing the play performed highly enough. if this is the only way you can experience it, though, take it--this play revolutionized the way i see historical fiction in general, with its twisting takes on truth and power and the very nature of narrative-forming.

itmustbemiriam's review against another edition

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challenging dark reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

livfass's review

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challenging dark informative mysterious tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

sherbertwells's review

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challenging dark emotional hopeful reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

A riff on truth and censorship that ties a 1920 diary to the 2010 Smolensk plane crash, featuring Soviet writer Isaac Babel, NKVD chief Nikolai Yezhov and an enterprising KGB agent. It’s not as good as Guards at the Taj, but Joseph’s trademark interpersonal nuance and literary “breathing room” make this play glorious to stage.

“NIKOLAI: Behold, Young Vladimir: The Black Magic Marker: The most useful tool in all of communism” (59)

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