Scan barcode
hayleemarie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Adult/minor relationship, Death, Misogyny, Sexism, Slavery, Violence, Blood, and War
Moderate: Child death, Domestic abuse, Rape, Sexual assault, Sexual violence, Suicide, Grief, Death of parent, Sexual harassment, and Injury/Injury detail
withlivjones's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
My one gripe with this book is that the pacing is rather inconsistent. The start is somewhat slow, and I am grateful for the time skips to ensure that the narrative doesn’t get boring. However, Helen’s “abduction” occurs over halfway through the book and the actual war doesn’t start until three quarters of the way through. From there, the pacing is almost breakneck as the author attempts to fit the nine-year Trojan war, as well as its aftermath, into under one hundred pages. I appreciate that retellings of the Trojan War, especially the events covered in the Iliad, have been done to death in other adaptations, but I feel that Helen’s perspective of more parts of the war, or even Klytemnestra’s reception of the news of certain events, could have enhanced the story. I was half expecting Kalchas to somehow make a return, either during the plague (which isn’t mentioned) or when the Trojan Horse arrives (which is alluded to in a single sentence), since he plays a significant role in the first half of the novel and then completely disappears after Iphigenia’s death. The book barely touches on the events of the Iliad and the Agamemnon and doesn’t even cover the Libation Bearers (leaving both Klytemnestra’s and Elektra’s arcs feeling somewhat unfinished), and I think that the author really could have taken advantage of the opportunity to discuss the motivations of Helen and Klytemnestra in these stories where their actions are so significant.
Graphic: Child death, Cursing, Death, Infidelity, Misogyny, Rape, Sexual assault, Violence, Blood, Grief, Murder, Pregnancy, and Injury/Injury detail
Moderate: Domestic abuse, Genocide, Miscarriage, Suicide, Grief, Death of parent, and War
Period-typical attitudes towards womenmothman19's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Adult/minor relationship, Child death, Death, Domestic abuse, Emotional abuse, Infidelity, Misogyny, Physical abuse, Sexism, Sexual assault, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Violence, Blood, Trafficking, Grief, Murder, Pregnancy, Sexual harassment, War, and Injury/Injury detail
Moderate: Animal death, Pedophilia, Rape, Toxic relationship, and Death of parent
Minor: Body shaming, Confinement, Infertility, Medical trauma, Abortion, and Abandonment
icarusandthesun's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
still, i thought the characters were pretty... vanilla? like especially the men. you hear stories about the men's rage and bitterness, about the sexism and misogyny, but the men in this book were kind of ... alright i guess?
they were abusive sometimes and assholes of course, but when it came down to it, all they did was scream, mostly. and menelaos was like a puppy idk
i also thought the book was too slow and long in the wrong places. helen's and klytemnestra's childhoods were interesting, but you could keep it shorter. for the first half of the book not a lot really happened. i had wished for more infos and stories beyond the trojan war, explore the lives after, but it just cut off there, after the war had ended.
really addictive writing tho, would still definitely recommend. an informative, lyrical gem—with flaws:)
Graphic: Adult/minor relationship, Death, Misogyny, Sexism, Slavery, Violence, Grief, Murder, Alcohol, and War
Moderate: Child death, Infidelity, Physical abuse, Rape, and Medical trauma
Minor: Miscarriage, Sexual content, and Death of parent
annasbookreviews's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
Graphic: Adult/minor relationship, Animal death, Child abuse, Child death, Confinement, Death, Domestic abuse, Emotional abuse, Genocide, Infidelity, Misogyny, Physical abuse, Sexism, Blood, Kidnapping, Grief, Cannibalism, Medical trauma, Death of parent, Murder, Pregnancy, and Fire/Fire injury
sadiesupercynski's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
Daughters of Sparta is a fascinating version of the magnificent Trojan war mythology, told from two new points of view: the women behind the scenes of the original telling, Klytemnestra and Helen. Through these points of view, you are given glimpses into the challenges, heartbreak, cruelty, loneliness, grief, strength, and regret these characters face due the suppression of women, the liberties of men, and the casualties of war.
Rather than being characters or presence in this retelling, the gods and goddesses from the original telling are given a backseat as simple idols of a belief system, giving the story a more historical, realistic feel rather than a supernatural one.
Be sure to check out the content warnings before diving in, as many heavy and triggering topics play a role in this story.
Graphic: Child death, Death, Emotional abuse, Gore, Infidelity, Rape, Sexual assault, Violence, Blood, Grief, Murder, Pregnancy, War, and Injury/Injury detail
Moderate: Suicide
Minor: Child death, Infertility, and Miscarriage
therealslimkatie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
Graphic: Adult/minor relationship, Child death, Death, Domestic abuse, Emotional abuse, Genocide, Gore, Infidelity, Miscarriage, Misogyny, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Slavery, Toxic relationship, Violence, Blood, Medical content, Kidnapping, Grief, Death of parent, Murder, Pregnancy, Fire/Fire injury, War, and Injury/Injury detail
catriona99674's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Also the frequent time jumping meant that the book never dwelt on anything. Lots of terrible things happen in this book but the author never spends any time in the aftermath. So the thing happens and then we instantly skip forward years ahead so that our characters have already dealt with the immediate consequences of the event. This meant that nothing really landed like it was clearly supposed to and the author failed to evoke and real emotions or look at anything in any real depth.
The author created some really interesting opportunities to explore different types of abuse and neglect but the constant skipping forward meant that we never spent enough time anywhere to fully feel the weight of these.
The author also had a chronic case of tell don't show. There was very little dialogue in the book and most of the the word count was made up of the author telling us what Helen and Klytemnestra had discovered in their time jumps about the men around them. Rather than being allowed to come to conclusions ourselves about other characters the author told us exactly what we should think at all times but failed to demonstrate it through action or dialogue in most cases.
The book was also strangely paced. There was never enough time in this book. The chapters were very short, time was constantly jumping forward and events would be discussed and them dropped. This meant that not only did we spend very little time exploring the events of the book and their consequences and aftermath we also spent very little time in the lives of these two women. Also they seemed to ever do was weave.
I dont often say this but this book needed to be longer. It did not have the word count to tackle the lives of both these women and the consequence was that nothing was explored satisfactorily. Various plot points were also discarded half way through the book and the ending was unsatisfactory.
Overall I was left unsure what exactly the theming of this book was supposed to be and what the story the author was trying to tell was exactly.
Saying all that it was still mostly an easy read and I did finish it. I would be interested in seeing what this author does yet and I hope she will improve in her future writing projects.
Graphic: Child death, Infidelity, Sexism, Sexual assault, Sexual violence, Toxic relationship, Murder, and War
Moderate: Death, Emotional abuse, Grief, Death of parent, and Gaslighting
Minor: Miscarriage
rileepickle's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Moderate: Animal death, Child death, Death, Domestic abuse, Emotional abuse, Gore, Infidelity, Miscarriage, Misogyny, Physical abuse, Rape, Sexual assault, Sexual content, Sexual violence, Slavery, Toxic relationship, Violence, Grief, Abortion, Pregnancy, Alcohol, and Sexual harassment