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A review by atrollreads
My Happy Marriage, Vol. 1 by Akumi Agitogi
adventurous
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
The first paragraph of introspection snf Miyo's anxiety and low self-esteem is already established. My precious girl. Miyo's birth family is disgusting. Certainly her sister and stepmother for obvious reasonsbut even more so her father, for ignoring everything the women put her through. It's also interesting to see a bit of an introspection of Kaya . It was already clear that she treats Miyo so badly because of her mother's example and encouragement and her father's ignoting it all, but it's a bit more to it than "you're my daughter, and you're better than that woman's daughter to Kaya's terrible personality.This shows that the family dynamic is a bit more complicated than it first seems. Kaya is, while perhaps not well aware of it, but knows to an extent that if she fucks up too much, her mother's ire will, though not as badly, turn to her as well.
The bud ofMiyo wanting something, her want to be with Kiyoka more and being scared of losing the tiny sliver of kindness in her life. It's so tragic, but also it's warming to know that she'll have it from him. The way she opens up, bit by bit, as she comes to understand more what she's not had, what she's offered, and that it's unconditional, no matter if she has any skills, Gift, or anything else. Her realising that not everyone will treat her poorly, because then everyone would have to be like her father, her stepmother and sister. That realisation she has is so good for her. The years she's suffered from the abuse from her family isnt' going to get fixed with just a bit of kindness, but she's healing, little by little, and her change from the prologue to the epilogue is sucha proof that she's getting more comfortable with both herself and her situation.
Kouji is a good guy, certainly, butI've always loathed the whole "only I can protect you" thing. The fact that he understands that he needs to ask for help to save Miyo, and doesn't let stupid pride stop him from seeking Kiyoka out, shows growth in him. That he decides to take responsibility for the Saimoris and try to make something better of that family, though they certainly don't deserve it, particularly those adults as Kaya is really still just a child who needs and probably can go through a lot of growth, and that he decides to learn how to properly use his Gift rather than being content with just having it, is also a sign that he's growing as a person.
Kiyoka is, in the beginning, a seemingly unfeeling guy.He's had his fair share of hurt though, it seems; he's guarded and wary. From the way he thinks about his previous trial-run fianceés, Kaya wouldn't have been a good match for Kiyoka wben before he liked Miyo. But the surprising way that Miyo acts has him open up as well, has him warm to her. He is a kind man, though icy when he needs to be - and when he's genuinely angry for the sake of what and who he cares about; as Kouji gets to see, it's the quiet rage that is the scariest kind of rage. He's stern and private, but his gentle side is so warm and fluffy. I also really appreciate that he's telling Miyo that it's alright to cry. So often, a crying character is told - particularly be a male character - that they shouldn't cry. That kind of advise is often well-meaning, in this comparison, but it's not ideal. Crying is a very good outlet, and having a male lead say that it's alright to cry is a very good thing. I'm glad that Kiyoka knows that one doesn't just repair trauma with just a few words. Love heals all is a nice sentiment and all, but it's really not that simple and realistic, and it's nice to see that acknowledged in a romance story.
As a note on Kiyoka and his emotions, I love that toward the end of the book, Miyo has started to recognise Kiyoka's feelings for what they are than before. Where she'd have taken his sheepish frown from anger in the beginning, now she can tell that he's just embarrassed. She didn't acknowledge that she can tell, now, but that's almost nicer than if she did.
The bud of
Kouji is a good guy, certainly, but
Kiyoka is, in the beginning, a seemingly unfeeling guy.
As a note on Kiyoka and his emotions, I love that toward the end of the book, Miyo has started to recognise Kiyoka's feelings for what they are than before. Where she'd have taken his sheepish frown from anger in the beginning, now she can tell that he's just embarrassed. She didn't acknowledge that she can tell, now, but that's almost nicer than if she did.
Death might be painful, but there'd be no more suffering afterward. She'd be free.
This is something that Miyo thinks at first. I do understand it,
As for the translation itself, I have some issues with certain choices made. Firstly, it's the annoyance of Japanese words being in italic, which at least for me, who reads text in italics as an emphasis to the word, as a disruption in the flow. Then there's the change of honorifics, and because honorifics don't work the same in English as they do in Japanese, the erasure of most honorifics. Doing away with honorifics erases parts of how a society handles interpersonal relations, how they're interpreted linguistically. For example, Miyo. She has been trained severely into extreme politeness and distance. This has her use a lot of honorifics, and removing nearly all honorifics in her speech erases part of how demure she is.
And now, a little note I didn't really know where to fit in the rest of this review:
Graphic: Child abuse, Domestic abuse, Emotional abuse, and Physical abuse