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A review by readthesparrow
Briardark by S.A. Harian
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
REVIEW
(disclaimer: I recieved a digital review copy of Briardark through Netgalley in exchange for a review.)
Whatever I expected from Briardark, it wasn't this.
To tell the truth, I went in not knowing what to expect; the publishers introduce it as "perfect for fans of LOST and House of Leaves," two properties which I haven't yet touched (I know, I know, HoL is on my TBR this year). Based on my scant knowledge of these properties I assumed that meant people would be lost in a weird place.
In Briardark, people sure are lost in a weird place, but it gets so much wilder and bizarre than I could have ever dreamed of. Typically when a book is shilled as a horror thriller, it's just a horror book with a bit of thriller or a thriller book lumped into the horror category because it's a thriller. This, however, is a true horror thriller; the twists in this book are insane, and this is from someone who usually sees "twists" coming from a million miles away. Every single one not only ramps up the tension but also does something clever to tweak an aspect of reality we thought we could trust. Harian is also very patient when it comes to the reveal. Nothing's ever rushed, and the payoff for elements introduced or revealed can take chapters, if not hundreds of pages.
It's a quick read, too, despite its length (350+ pages, 10+ hour audiobook!). The pacing is excellent, knowing when to slow and take in the view and when to hurtle forward over the edge. Several times while reading, I would go to update my reading progress and realize that I'd only read five pages, but with all that had happened I'd expected 20+. In Briardark, stuff just keeps happening and doesn't stop.
THE PEOPLE
While the blurb implies that there will only be two POVs, Briardark actually gives every character in Seina's team a POV. Siena and Holden are the main characters, yes, and most of the narrative is told from their perspective, but the narrative also isn't afraid to shift over to another character when necessary--usually when folks split up (or get split up). The reader isn't being shuffled around character's heads willy-nilly.
Normally I'm not a fan of multiple POVs; for me, more than two POV characters is pushing it. Briardark, however, does a really excellent job of handling multiple POVs. It establishes the characters firmly from Siena's POV first, allowing readers to become familiar with who they are before swapping. Also (and this important), every character is both unique and enjoyable.
Out of all the cast, Cam is my favorite. She's a well written lesbian character, something I always appreciate and rarely see. She's allowed to have a close, meaningful relationship with Siena, a straight woman, without ever being attracted to her. Siena never even considers the possibility. Cam's capable, respected in her field and her colleagues, and the trauma she has from her involvement with Briardark in the past is handled really well. I know these things can seem low bar to hurdle, but I'm starved for good lesbian rep, especially in horror/thriller books. I really hope to see more from her in the second book--her plotline was, to me, one of the ones I'm most invested in.
THE PLACE
The establishment of place is beautifully done. The book is set in an absolutely awe-inspiring wilderness. Despite the fact I would definitely die immediately (and not even due to anything eldritch, just from the hiking), I'd love to visit.
One of the best pieces of advice I got from my writing classes was to treat place as another character. It's just as important as the human characters in a story, if not more so; the Deadswitch Wild, Briardark, even individual rooms all have their own character. This, of course, goes double for when the wild starts to get weird and eldritch (in more ways than one).
Honestly, I'm usually not one to be pro-map in books. I think they're fine, but I usually don't use them. I think that Briardark would benefit greatly from having a map included; maybe not necessarily in the beginning, but several maps are mentioned over the course of the book, and I was just dying for them to be included as an illustration or in the back. I read an advanced digital reader's copy through Netgalley, so they may be included in the final product. If not, I really hope the second book comes with a map or gets map illustrations. The textual description of them was well-done, of course, making them not strictly necessary, but they'd be cool.
That said, a lot of what is set up in this first book lore-wise recieves no payoff. It's the first book in a series (thank God), so having to wait for reveals is to be expected, but it's going to be hard to wait. Luckily, the second book, Waywarden, comes out in 2024. I can't wait to return to the Briardark in a year.
FINAL THOUGHTS
I can't say if the comparison to LOST or House of Leaves is accurate. What I can say is that if you enjoyed titles like The Dark Between the Trees or short stories like "A Tale of the Ragged Mountains" and "A Psychological Shipwreck" you'll love Briardark even more. It's weird, tense, and has some fantastic characters I can't wait to read more about.
Briardark released 16 January 2023. If you're interested in the book, check out the official website (https://briardark.com/), request the book from your local library, or buy yourself a copy!
(disclaimer: I recieved a digital review copy of Briardark through Netgalley in exchange for a review.)
Whatever I expected from Briardark, it wasn't this.
To tell the truth, I went in not knowing what to expect; the publishers introduce it as "perfect for fans of LOST and House of Leaves," two properties which I haven't yet touched (I know, I know, HoL is on my TBR this year). Based on my scant knowledge of these properties I assumed that meant people would be lost in a weird place.
In Briardark, people sure are lost in a weird place, but it gets so much wilder and bizarre than I could have ever dreamed of. Typically when a book is shilled as a horror thriller, it's just a horror book with a bit of thriller or a thriller book lumped into the horror category because it's a thriller. This, however, is a true horror thriller; the twists in this book are insane, and this is from someone who usually sees "twists" coming from a million miles away. Every single one not only ramps up the tension but also does something clever to tweak an aspect of reality we thought we could trust. Harian is also very patient when it comes to the reveal. Nothing's ever rushed, and the payoff for elements introduced or revealed can take chapters, if not hundreds of pages.
It's a quick read, too, despite its length (350+ pages, 10+ hour audiobook!). The pacing is excellent, knowing when to slow and take in the view and when to hurtle forward over the edge. Several times while reading, I would go to update my reading progress and realize that I'd only read five pages, but with all that had happened I'd expected 20+. In Briardark, stuff just keeps happening and doesn't stop.
THE PEOPLE
While the blurb implies that there will only be two POVs, Briardark actually gives every character in Seina's team a POV. Siena and Holden are the main characters, yes, and most of the narrative is told from their perspective, but the narrative also isn't afraid to shift over to another character when necessary--usually when folks split up (or get split up). The reader isn't being shuffled around character's heads willy-nilly.
Normally I'm not a fan of multiple POVs; for me, more than two POV characters is pushing it. Briardark, however, does a really excellent job of handling multiple POVs. It establishes the characters firmly from Siena's POV first, allowing readers to become familiar with who they are before swapping. Also (and this important), every character is both unique and enjoyable.
Out of all the cast, Cam is my favorite. She's a well written lesbian character, something I always appreciate and rarely see. She's allowed to have a close, meaningful relationship with Siena, a straight woman, without ever being attracted to her. Siena never even considers the possibility. Cam's capable, respected in her field and her colleagues, and the trauma she has from her involvement with Briardark in the past is handled really well. I know these things can seem low bar to hurdle, but I'm starved for good lesbian rep, especially in horror/thriller books. I really hope to see more from her in the second book--her plotline was, to me, one of the ones I'm most invested in.
THE PLACE
The establishment of place is beautifully done. The book is set in an absolutely awe-inspiring wilderness. Despite the fact I would definitely die immediately (and not even due to anything eldritch, just from the hiking), I'd love to visit.
One of the best pieces of advice I got from my writing classes was to treat place as another character. It's just as important as the human characters in a story, if not more so; the Deadswitch Wild, Briardark, even individual rooms all have their own character. This, of course, goes double for when the wild starts to get weird and eldritch (in more ways than one).
Honestly, I'm usually not one to be pro-map in books. I think they're fine, but I usually don't use them. I think that Briardark would benefit greatly from having a map included; maybe not necessarily in the beginning, but several maps are mentioned over the course of the book, and I was just dying for them to be included as an illustration or in the back. I read an advanced digital reader's copy through Netgalley, so they may be included in the final product. If not, I really hope the second book comes with a map or gets map illustrations. The textual description of them was well-done, of course, making them not strictly necessary, but they'd be cool.
That said, a lot of what is set up in this first book lore-wise recieves no payoff. It's the first book in a series (thank God), so having to wait for reveals is to be expected, but it's going to be hard to wait. Luckily, the second book, Waywarden, comes out in 2024. I can't wait to return to the Briardark in a year.
FINAL THOUGHTS
I can't say if the comparison to LOST or House of Leaves is accurate. What I can say is that if you enjoyed titles like The Dark Between the Trees or short stories like "A Tale of the Ragged Mountains" and "A Psychological Shipwreck" you'll love Briardark even more. It's weird, tense, and has some fantastic characters I can't wait to read more about.
Briardark released 16 January 2023. If you're interested in the book, check out the official website (https://briardark.com/), request the book from your local library, or buy yourself a copy!
Content Warnings
Graphic: Body horror, Mental illness, Panic attacks/disorders, Blood, Grief, and Schizophrenia/Psychosis
Moderate: Animal death, Body horror, Cancer, Confinement, Death, Mental illness, Terminal illness, Toxic relationship, Blood, and Murder