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bea_reads_books's reviews
234 reviews
5.0
“We will not let ourselves be burned, because this time, the fire is ours.”
I absolutely loved this book. It rekindled all the rage I’ve been trying to ignore over the litany of injustices and oppressions in the world. And it reminded me that my rage is good, it is needed, and it is healthy. I SHOULD be angry. It means I am paying attention.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Animal death, Death, Panic attacks/disorders, Rape, Sexual assault, Sexual content, Suicidal thoughts, Toxic relationship, Blood, Grief, Suicide attempt, Gaslighting, and Injury/Injury detail
Moderate: Homophobia, Transphobia, Violence, and Death of parent
Minor: Fire/Fire injury
Did not finish book. Stopped at 49%.
For one thing, it is uncomfortably positive about the military and police. It’s not anything overt like “Blue lives matter!” Or “Man, I sure love being in the army!” It’s just that a lot of the characters are currently in the army/police force, or else are ex-cops. At first, I thought maybe we were going to address why someone might leave the force, if it clashed with their personal morals. But instead, it seems that this is merely a device for storytelling. For example, one of the two leads in this book is an ex-cop who now works for a private security/investigation company, because it serves the romance better if he can spend all his time bodyguarding the other lead character, instead of having pesky things like job hours or superiors to report to.
I also feel like, in this entire series, the author sort of plucks tropes out of the air and forces a story around them, resulting in a pretty lackluster product. In the second book of the series (Midnights Like This) it was supposed to be a “fake dating” dynamic, which usually entails a lot of longing and buildup and whatnot. But there was no buildup at all. They had feelings for eachother - and had sex with each other - right from the start. There was nothing we had to work for, aside from waiting for an apology from one of the leads, which after they were together without it anyway, didn’t really feel like it had much purpose.
In a similar vein, all the characters seem like cardboard cutouts of each other. The smaller guy is stubborn and sassy and emotional and a twink. The bigger guy is super protective and a “golden retriever”. The author sometimes gives them distinguishing characteristics, but only as an aside to say “this guy is this way” without ever actually showing it on page. Like in this book, the bigger guy (I cannot remember any of their names) is said to be the “strong and silent” type, not speaking much. But all throughout the book, we don’t see that even a single time. He talks a completely normal amount.
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
4.5
Graphic: Animal death, Death, Gore, Mental illness, Violence, Blood, Murder, and Injury/Injury detail
Moderate: Child death, Self harm, Sexual content, and Schizophrenia/Psychosis
Minor: Cursing, Suicidal thoughts, and Suicide
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Overall, I still loved this book. Many actual tears were shed at various points, and the sibling dynamic is very realistic. My only real gripe with this book is a phenomenon I’ve been noticing more and more with the books I read as a kid - they’re all incredibly (or at least very overtly) fatphobic, usually in the form of comedy.
In this book, a lesser antagonist is portrayed as disgusting, lazy, a “worthless drunk”, and a LOT of emphasis is put on his weight being the butt of the joke and part of what makes him so repulsive. JKR does this, Lemony Snicket (one of my all-time-favorite authors) does it, and Obert Skye does it.
I notice it even more in books that were “weird” or creepy - which is unfortunate because those were my favorite kinds of books to read as a child/teen (and frankly still are). I am begging writers to find other ways to be funny or to make a “bad” character, without making them fat (or, for that matter, disabled - I see that one a lot too).
Also, it made me somewhat uncomfortable that the dwarves (something I already don’t love, because people with dwarfism are just regular people, not a mythical fantasy race) have their own entire culture and history and customs, but a pivotal moment of the story is when a human boy “calls out” the above mentioned fatphobic caricature as being “not a real dwarf”, and then proceeds to educate the dwarf population about what makes them who they are, after which he wins a medal and is appointed the official guardian of dwarf customs (or something similar, I forget the exact title). It felt extremely white-savior-ish to have someone from outside the “species” tell the dwarves how they should and shouldn’t behave in order to be considered a “real dwarf”. Which he has the authority to say because he... reads about dwarves? From one book? Rather than actually BEING one? Or even just living with them and studying their culture first hand?
Moderate: Death, Fatphobia, Violence, Blood, Grief, and Injury/Injury detail
Did not finish book. Stopped at 67%.
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Moderate: Child abuse and Grief
5.0
Did not finish book. Stopped at 23%.
3.75