This is highly readable despite the complexity of some of the concepts. I have no background in neuroscience but I was able to follow these parts and understand them. From another aspect, this book is potentially life-changing. I wouldn't say my experiences were traumatic on the scale of the patients described here, but I recognised so many of the physical responses to stressful situations. Not least, the pure lack of safety I feel in relation to others. This isn't an easy read, but we'll worth it.
I was hoping to discover a new author, and Benson is clearly clever and able. His depiction of shallow, dull, self-deluding privileged people is masterful But I think you really have to be in the mood to want to spend time with them.
A good quality read, dark and disturbing. Good to have such a flawed character as the central detective. I am very uncomfortable with the character of Colin Pegwell, as I think he is being coded as neuro-diverse but in a deeply negative way. It could be argued that he simply has a personality disorder but Hill risks perpetuating the myth that neuro-diverse people lack empathy and are cruel and unfeeling. I would expect better from an author of her calibre
A pleasant re-read. Clara is a bit annoying but the social satire is good, as ever, and Will Belton is a hearthrob, albeit one with very poor boundaries.
A really excellent, readable, informative and quite moving biography. I actually don't know Tippett's music all that well, but it's inspired me to listen. And the fall in his popularity - I can't remember the last time I heard anything by him on Radio 3 not from Child of Our Time - is really quite fascinating.
Contrived and clever. I didn't like it very much but it certainly turned the pages. I am usually a huge Cara Hunter fan, and I am always happy to see good satire on television formats (which this is) but I actually think Janice Hallett did this kind of thing better in The Appeal.
This is a re-read of what was my favourite Trollope. I still like it, but possibly for very different reasons. Twenty years ago I found the alcoholism chapters prolonged and difficult. Now I think it's one of the most powerful parts of the book. I still love it for it's amazingly mature study of the question 'What is a gentleman? What is a gentlewoman?'.
Another clever pageturner from Cara Hunter. I don't mind the fact that the characters aren't as enticing as, say, an Elly Griffith or Jane Casey. It centres the plot which is, as ever, disturbing and ingenious.
I love a campus novel although conversely I am not mad about Oxbridge novels. But here the family story won out over the setting. I was trying to remember when a novel about teenagers last made me squirm with recognition so much I realised it was the same author's Almost English. Ultimately I am unsure about the mixture of comedy and tragedy as the extreme farcical elements seemed to dampen down the emotional connection. I would still recommend it though.