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torilovesheas's reviews
645 reviews
Did not finish book. Stopped at 29%.
Graphic: Sexual content
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Cursing, Sexual content, Grief, Car accident, and Colonisation
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Love that there’s a little demon hunt going on in the back ground (which sounded terrifying ngl) and LOVE that we have in depth characters in such a short tale. Kati is really talented with her characterization and character development in minimal pages and fleshes out their story at the perfect pace.
10/10 plus we get birth control ye olden fantasy style and a near death “please don’t leave me” scene. My cuppa.
Graphic: Cursing, Death, and Sexual content
Minor: Alcoholism, Alcohol, and War
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
I think Amy Award is talented. The story is there. The bare bones of these characters is there. But between contradictory statements (first 8 brothers are mentioned and now there’s only 7 later on?) and a tendency to lean too into hyper specific modern slang, it just ended up feeling like an early draft. I love that it’s a friends to lovers set-up with fake dating and a plus sized girly/big muscly man combo. It’s my catnip! And there’s super loveable characters in here. The Kingman siblings are all likeable and feel real. There’s so much personality traits for each sibling sprinkled in that will be great in setting up later books. But having 8 siblings (7 of which are boys) all on page at once became very confusing VERY fast.
I love the concept behind this book. An American football dynasty family with alphabetically named siblings a la Bridgerton and a pack of grumpy chickens is a series I can get behind. I just need tighter editing in book 2 to really sell me on this being a series I could love.
ps authors please stop writing “it’s so hot when girls kiss haha” dude bro nonsense in your books. It’s so icky and fetishy. Nope.
Graphic: Fatphobia and Sexual content
Moderate: Bullying
Minor: Eating disorder, Toxic friendship, and Sexual harassment
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
I don’t always love when it’s an age gap where the older character knew the other character as a minor but Mint makes it clear that there was absolutely zero sexual thoughts at the time. So. I’ll let it slide since it’s a dad’s best friend set up. But I still didn’t love it.
Graphic: Sexual content
Minor: Death and Death of parent
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Sexual content
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
McCarty did her research on this one and managed to combine a fully fleshed out romance with the complexities of Robert the Bruce era political machinations and it was fantastic. Forced marriage due to trickery? Check. A big ole Highlander falling ass over head into love with his tiny wife? Check check. A special group of warriors training to be Robert the Bruce’s secret weapons? You got it, baby.
Sometimes I want a feminist angle in my HisRoms and sometimes I just want that old school feel where he’s in love and mad about it and she’s going to win him over if it kills her. But that doesn’t mean that Christina isn’t a force all her own. She’s smart. She can read. She wants to help her husband succeed. And she’s determined to make their marriage work. I loved her, even if she was a bit more naive at times than I wanted. For a survivor of domestic violence at the hands of her father, I think her resilience is admirable.
The main theme in here is disillusionment. Tor believes he has to put clan and country first and had no place for love. Christina believes in Lancelot and Guinevere and chivalric love. And they both have to let go of those ideals and meet in the middle to be happy. And boy howdy is it a push/pull to get there. But I think the subtle ways that Tor shows he’s losing that control and the way Christina keeps trying after falling down is realistic for a time period where battle hardened warriors really do have to put their people first in such a heightened political atmosphere.
My only complaint is the way it drags in the middle. At 400 pages, there’s a lot of training going on (which is necessary for later books) but can be a bit boring and repetitive unless you like that in your romance. But I think if you’re setting up a 12 book series with special secret warriors defending Scotland, it has to be in there. Just maybe a little less balanced than I would have liked.
CW: attempted SA of FMC (not by MMC), general violence, kidnapping, murder (non graphic), death of parents (off page, but described), rape (not of MCs, off page, but discussed)
Graphic: Emotional abuse, Misogyny, Physical abuse, Sexual content, and Violence
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Everything else was….meh? For a book that clocks in at 537 pages, 400 of those pages were just the MCs spending time together in a cabin. No external plot. Minimal contact with anyone else. Just them living together. Normally I love a character driven story but I found myself incredibly bored by the 50% mark. It’s extremely repetitive and the amount of times we have a “Reia runs off into the veil amidst demons she has no hope of saving herself from because….Orpheus is wonderful and what would the human villagers that tortured her and made her feel like a harbinger of doom think if they know she’s attracted to a monster?” got very old, very quick. Idk, man, maybe it’s just me, but if a demon guy with a heart of gold was giving me the tender care and consideration Orpheus gave to Reia, I’d have given less than a single shit what they thought of me? Especially when they were horrible to me? And wanted to sacrifice me to a demon or lock me in an underground prison forever?? GIRL. Who cares what they think?
The pacing is weird, slow in some parts and speed running into others. Nothing happens for 400-ish pages and then we zoom into a lackluster third act. The big bad at the end for the third act conflict is cartoony and ridiculous with no depth or real motivation for their actions besides some mustache twirling villainy. And the world building is somehow both great and awful at the same time? We’re giving fascinating and unique lore for demons and Duskwalkers that I loved and wanted more of only to have phrases like “Stockholm syndrome” thrown around in what (appears to be because it’s never explained) a high fantasy world? IS it post apocalyptic? No clue. But the switch to modern language is jarring in what leads to be a world without technology with medieval-esque setting elements.
It’s wordy. It’s info dumpy. We get pages upon pages of lore and world building (what little there is) that isn’t relevant or necessary to the plot (what little there is). The prose is a slog because of how heavy it is. I do think the audio made it better and a lot more tolerable but I struggled to retain any world information because it’s just lobbed at you like word vomit. So much of this could have been edited out and I really have no desire to read any further in the series because I don’t feel super confident that I’ll enjoy them considering one has been released about every 3 months and that does not feel like an adequate amount of time to edit these stories absolute chunks of a story into an enjoyable book series (for me personally). Six 500-650 pages novels in one year feels…like we need to take a step back and spend more time developing the story instead of rushing these out.
3 ⭐️ for Orpheus and Orpheus alone.
Graphic: Death, Sexual content, Violence, Kidnapping, Death of parent, and Injury/Injury detail
Minor: Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Death, Misogyny, Sexual content, Violence, Grief, and Fire/Fire injury
Minor: Sexual harassment
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Pippa and Jamie end up being really cute together. Jamie is a bit of an ass in the very beginning but once that drops off (early on), he’s a big ole simp and is really supportive of Pippa and her dreams of becoming a professional singer. There’s great close proximity (she’s his love in assistant/dog sitter). There’s a cute rescue dog and interesting side characters and it’s honestly pretty low angst for how many obstacles are built up in the beginning.
Which leads me to why this ended up being kinda meh despite the parts I really enjoyed. There’s multiple obstacles set up for why Jamie can’t be in a relationship. A bad breakup when he was 19, his mother suffering from untreated anxiety/panic attacks, and the whole boss/assistant situation are built up as these HUGE problems he can’t get past in order to date and then….everyone of them is resolved super quick after not ever being an ACTUAL problem throughout the whole book. His mom’s anxiety? Pippa handles it with him like a champ. The breakup? One conversation with the ex and it’s resolved. The boss/assistant relationship? Literally never a problem. What was the point?
This felt so long and it was only 400 pages or about 7 hours on audio (I listen at 1.7 speed). Lots of repetitive discussions and scenes and waffling back and forth over being with each other. The whole “he/she doesn’t remember me from high school” plot line? Resolved so fast. Every obstacle is really nonexistent and it made this feel so freaking long when it’s just Pippa going to the games, Pippa walking the dog, Pippa and Jamie being sweet together. On repeat. Lots of this could have been edited out and not hurt the story at all.
I’m also continuing a theme of restricting nickname privileges because “songbird” was used 67 times (yes I counted) and I got so tired of it so fast. Plus “bossy” and “my pretty assistant” were used over and over again. Just so repetitive to the degree that it’s noticeable.
There’s not really any hockey for this to be a hockey romance. There’s cringy one liners that ended up sounding like bad 80’s porn dialogue. “Do you have a fever? Cause you’re burning up” is straight from a porno and you can’t convince me otherwise. And the sweet moments get overrun by cringy conversations that no real human being would say.
I can see why people like this one. Jamie is a teddy bear once he stops being a hard ass and Pippa is likeable (if very not like other girls). But I think this was written too fast with too little editing. Which really could have made this a great read. Archer is talented but I think the need to hop on the hockey romance trend may have pushed her to churn out a book that wasn’t really ready for release.
Will I read the next one? Probably because she roped me in with teasers about Pippa’s sister and the cocky hockey star and the coach and the bartender. But I won’t be rushing to preorder it, for sure.
Graphic: Panic attacks/disorders and Sexual content
Minor: Alcoholism, Medical content, Car accident, and Death of parent